I think people forget just how starved we writers are for feedback. Like every time someone tells me how much they liked my writing or how it touched them I do an internal breakdance while crying for five minutes straight.
I feel like when you’re writing, organizing chapters and dialogue is easy
but jfc, the amount of time it takes to constantly keep people moving and make sure they’re in the right spaces and trying to come up with wording for it is always such a shock.
Like, fuck, I made you pick up a coffee cup, you need to put it down at some point. also I can’t remember what I dressed you in, can you push up your sleeves? I don’t remember if you even have your shirt on.
and YOU. YOU OVER THERE, you got out of your chair earlier, but did you come back yet? Are you coming back? Where did you even go and why’d you get up? Fuck, I can’t make you sit down again already, you just stood up, go…over there. go get more coffee. Did you bring your mug with you? fine. bring the pot to the table and—wait, wasn’t the coffee pot already over here? shit, hold on, I need to go back and re-read and re-write
this is the most relevant thing i have ever read.
I think one of the most wild things as a writer is the sensation that you’re not actually directing your characters– they’re sort of directing themselves, and you’re scrambling around attempting to copy down whatever it was that they just did, but they don’t wait for you to finish copying. They just keep walking and talking and moving around and existing of their own volition and at some point you look up and you’re like “WHOA OKAY EVERYBODY BACK THE FUCK UP WHERE ARE WE”
It’s kind of like trying to write sheet music for an orchestra while it’s playing
Hey guys! As a writer myself, it’s hard to have a lot of resources for writing in one place. That’s why I decided to create this masterpost, and maybe make more if I find future resources. I hope you like it, and expect to see more masterposts like this in the future!
ZenPen: A minimalist writing website to keep you free of distractions and in the flow.
The Most Dangerous Writing App: A website where you have to keep typing or all of your writing will be lost. It helps you keep writing…kind of. You can choose between a time or word count limit!
Evernote: An online website where you can take notes and save the product to your laptop and/or smartphone!
Writer, the Internet Typewriter: It’s just you and your writing, and you can save your product on the website if you create an account.
Wordcounter: A website to help check your word and character count, and shows words you’re using frequently.
Monospace: An Android app for writing on the go when you feel the inspiration, but you don’t have your laptop on you!
For Productivity
Tide: An app that combines a pomodoro-esque timer with nature sounds and other noises! (Google Play / Apple Store)
ClearFocus: An Android app with a pomodoro-type time counter to let you concentrate easier and stay productive.
Forest: An app with a time counter to keep you focused and off your phone, and when you complete the time limit, a tree grows in your garden! (Google Play / Apple Store)
SelfControl: A Mac downloadable app that blocks you from distracting mail servers, websites, and other things!
Don’t characterize a Black character as sassy or thuggish, especially when the character in question is can be described in literally ten thousand other ways..
Don’t describe Black characters as chocolate, coffee, or any sort of food item.
Don’t highlight the race of Black characters (ie, “the dark man” or “the brown woman”) if you don’t highlight the race of white characters.
Think very carefully about that antebellum slavery or Jim Crow AU fic as a backdrop for your romance.
If you’re not fluent with AAVE, don’t use it to try to look cool or edgy. You look corny as hell.
Don’t use Black characters as a prop for the non-Black characters you’re actually interested in.
Keep “unpopular opinions” about racism, Black Lives Matter, and other issues pertinent to Black folks out the mouths of Black characters. We know what the fuck you’re doing with that and need to stop.
Don’t assume a Black character likes or hates a certain food, music, or piece of pop culture.
Be extremely careful about insinuating that one or more of a Black character’s physical features are dirty, unclean, or ugly.
Feel free to add more.
Adding more…
Be wary of making Black characters seem animalistic, uncivilized, or subhuman in comparison to white characters. Watch out for: comparing us to monkeys, gorillas, chimpanzees, apes, and other animals.
Words like Negroid, colored/colured, Negro, and the n-word do not belong in the mouths of contemporary characters you want to portray as sympathetic.
Not all Black people are African American.
Africa is not a country but the second-largest continent on earth with some 54 different countries with thousands of ethnic groups and 1,500 to 3,000 languages and dialects.
Resist the urge to make a Black character seem uneducated and ignorant compared to white characters.
Capitalizing Black shows that you recognize that the word unifying people of African descent, particularly the diaspora, should be described using a proper noun.
Please, say “Black people,” not “blacks.”
Give Black characters the same psychological and moral complexity as white men are given by default.
Make sure that you don’t write a Black character as happily subservient to a white character.
Understand and show that you understand that Black characters don’t exist to be the caretakers of white characters.
And more…
Do your own homework instead of expecting, asking, or demanding Black fans to do it.
Before approaching that Black person you admire so much for being so articulate about race issues (this is sarcasm) to beta read your work: 1) make sure it’s something they’ve expressed interest in doing, and 2) you offer something in return for their time and expertise.
Be prepared for fans to have issues with what you came up with and open to suggestions.
Having only one Black character in a story that takes place in a huge city, country, or galaxy looks weird. Really, really weird. Scary weird.
Don’t use a Black character’s death to motivate a white character.
Portray Black characters with complex and multifaceted identities. We are more than just Black. We are also women, LGBT, Jewish, disabled, neurodivergent, immigrants, etc.
There is a huge chasm between hypersexual and desexualized.
Remember: what’s progressive for a white character is not necessarily progressive for a Black one.
These are some helpful pointers for writing any kind of fiction involving Black characters.
Absent-minded – Preoccupied to the extent of being unaware of one’s
immediate surroundings. Abstracted, daydreaming, inattentive, oblivious,
forgetful.
Abusive – Characterized by improper infliction of physical or psychological maltreatment towards another.
Addict – One who is addicted to a compulsive activity. Examples: gambling, drugs, sex.
Aimless – Devoid of direction or purpose.
Alcoholic – A person who drinks alcoholic substances habitually and to excess.
Anxious – Full of mental distress or uneasiness because of fear of danger or misfortune; greatly worried; solicitous.
Arrogant – Having or displaying a sense of overbearing self-worth or
self-importance. Inclined to social exclusiveness and who rebuff the
advances of people considered inferior. Snobbish.
Audacious – Recklessly bold in defiance of convention, propriety, law, or the like; insolent; braze, disobedient.
Bad Habit – A revolting personal habit. Examples: picks nose, spits tobacco, drools, bad body odour.
Bigmouth – A loud-mouthed or gossipy person.
Bigot – One who is strongly partial to one’s own group, religion, race, or politics and is intolerant of those who differ.
Blunt – Characterized by directness in manner or speech; without subtlety or evasion. Frank, callous, insensitive, brusque.
Bold – In a bad sense, too forward; taking undue liberties; over
assuming or confident; lacking proper modesty or restraint; rude;
impudent. Abrupt, brazen, cheeky, brassy, audacious.
Callous – They are hardened to emotions, rarely showing any form of it in expression. Unfeeling. Cold.
Childish – Marked by or indicating a lack of maturity; puerile.
Complex – An exaggerated or obsessive concern or fear. (List specific complex.)
Cruel – Mean to anyone or anything, without care or regard to consequences and feelings.
Cursed – A person who has befallen a prayer for evil or misfortune,
placed under a spell, or borne into an evil circumstance, and suffers
for it. Damned.
Dependent – Unable to exist, sustain oneself, or act appropriately or normally without the assistance or direction of another.
Erratic – Deviating from the customary course in conduct or opinion;
eccentric: erratic behaviour. Eccentric, bizarre, outlandish, strange.
Fanatical – Fanatic outlook or behaviour especially as exhibited by
excessive enthusiasm, unreasoning zeal, or wild and extravagant notions
on some subject.
Fickle – Erratic, changeable, unstable – especially with regard to affections or attachments; capricious.
Fierce – Marked by extreme intensity of emotions or convictions; inclined to react violently; fervid.
Finicky – Excessively particular or fastidious; difficult to please;
fussy. Too much concerned with detail. Meticulous, fastidious, choosy,
critical, picky, prissy, pernickety.
Fixated – In psychoanalytic theory, a strong attachment to a person
or thing, especially such an attachment formed in childhood or infancy
and manifested in immature or neurotic behaviour that persists
throughout life. Fetish, quirk, obsession, infatuation.
Flirt -To make playfully romantic or sexual overtures; behaviour intended to arouse sexual interest. Minx. Tease.
Gluttonous – Given to excess in consumption of especially food or drink. Voracious, ravenous, wolfish, piggish, insatiable.
Gruff – Brusque or stern in manner or appearance. Crusty, rough, surly.
Gullible – Will believe any information given, regardless of how valid or truthful it is, easily deceived or duped.
Hard – A person who is difficult to deal with, manage, control, overcome, or understand. Hard emotions, hard hearted.
Hedonistic – Pursuit of or devotion to pleasure, especially to the pleasures of the senses.
Hoity-toity- Given to flights of fancy; capricious; frivolous. Prone to giddy behaviour, flighty.
Humourless – The inability to find humour in things, and most certainly in themselves.
Hypocritical – One who is always contradicting their own beliefs,
actions or sayings. A person who professes beliefs and opinions for
others that he does not hold. Being a hypocrite.
Idealist – One whose conduct is influenced by ideals that often
conflict with practical considerations. One who is unrealistic and
impractical, guided more by ideals than by practical considerations.
Idiotic – Marked by a lack of intelligence or care; foolish or careless.
Ignorant – Lacking knowledge or information as to a particular
subject or fact. Showing or arising from a lack of education or
knowledge.
Impatient – Unable to wait patiently or tolerate delay; restless. Unable to endure irritation or opposition; intolerant.
Impious – Lacking piety and reverence for a god/gods and their followers.
Impish – Naughtily or annoyingly playful.
Incompetent – Unable to execute tasks, no matter how the size or difficulty.
Indecisive – Characterized by lack of decision and firmness, especially under pressure.
Indifferent – The trait of lacking enthusiasm for or interest in
things generally, remaining calm and seeming not to care; a casual lack
of concern. Having or showing little or no interest in anything;
languid; spiritless.
Infamy – Having an extremely bad reputation, public reproach, or
strong condemnation as the result of a shameful, criminal, or outrageous
act that affects how others view them.
Intolerant – Unwilling to tolerate difference of opinion and narrow-minded about cherished opinions.
Judgemental – Inclined to make and form judgements, especially moral
or personal ones, based on one’s own opinions or impressions towards
others/practices/groups/religions based on appearance, reputation,
occupation, etc.
Klutz – Clumsy. Blunderer.
Lazy – Resistant to work or exertion; disposed to idleness.
Lewd – Inclined to, characterized by, or inciting to lust or
lechery; lascivious. Obscene or indecent, as language or songs;
salacious.
Liar – Compulsively and purposefully tells false truths more often than not. A person who has lied or who lies repeatedly.
Lustful – Driven by lust; preoccupied with or exhibiting lustful desires.
Masochist – The deriving of sexual gratification, or the tendency to
derive sexual gratification, from being physically or emotionally
abused. A willingness or tendency to subject oneself to unpleasant or
trying experiences.
Meddlesome – Intrusive in a meddling or offensive manner, given to meddling; interfering.
Meek – Evidencing little spirit or courage; overly submissive or
compliant; humble in spirit or manner; suggesting retiring mildness or
even cowed submissiveness.
Megalomaniac – A psycho pathological condition characterized by delusional fantasies of wealth, power, or omnipotence.
Naïve – Lacking worldly experience and understanding, simple and
guileless; showing or characterized by a lack of sophistication and
critical judgement.
Nervous – Easily agitated or distressed; high-strung or jumpy.
Non-violent – Abstaining from the use of violence.
Nosey – Given to prying into the affairs of others; snoopy. Offensively curious or inquisitive.
Obsessive – An unhealthy and compulsive preoccupation with something or someone.
Oppressor – A person of authority who subjects others to undue
pressures, to keep down by severe and unjust use of force or authority.
Overambitious – Having a strong excessive desire for success or achievement.
Overemotional – Excessively or abnormally emotional. Sensitive about themselves and others, more so than the average person.
Overprotective – To protect too much; coddle.
Overzealous – Marked by excessive enthusiasm for and intense devotion to a cause or idea.
Pacifist – Opposition to war or violence as a means of resolving disputes. (Can double as a merit in certain cases)
Paranoid – Exhibiting or characterized by extreme and irrational fear or distrust of others.
Peevish – Expressing fretfulness and discontent, or unjustifiable
dissatisfaction. Cantankerous, cross, ill-tempered, testy, captious,
discontented, crotchety, cranky, ornery.
Perfectionist – A propensity for being displeased with anything that is not perfect or does not meet extremely high standards.
Pessimist – A tendency to stress the negative or unfavourable or to take the gloomiest possible view.
Pest – One that pesters or annoys, with or without realizing it. Nuisance. Annoying. Nag.
Phobic – They have a severe form of fear when it comes to this one thing. Examples: Dark, Spiders, Cats
Practical – Level-headed, efficient, and unspeculative. No-nonsense.
Predictable – Easily seen through and assessable, where almost
anyone can predict reactions and actions of said person by having met or
known them even for a short time.
Proud – Filled with or showing excessive self-esteem and will often shirk help from others for the sake of pride.
Rebellious – Defying or resisting some established authority, government, or tradition; insubordinate; inclined to rebel.
Reckless – Heedless. Headstrong. Foolhardy. Unthinking boldness, wild carelessness and disregard for consequences.
Remorseless – Without remorse; merciless; pitiless; relentless.
Rigorous – Rigidly accurate; allowing no deviation from a standard; demanding strict attention to rules and procedures.
Sadist – The deriving of sexual gratification or the tendency to
derive sexual gratification from inflicting pain or emotional abuse on
others. Deriving of pleasure, or the tendency to derive pleasure, from
cruelty.
Sadomasochist – Both sadist and masochist combined.
Sarcastic – A subtle form of mockery in which an intended meaning is conveyed obliquely.
Sceptic – One who instinctively or habitually doubts, questions, or disagrees with assertions or generally accepted conclusions.
Seducer – To lead others astray, as from duty, rectitude, or the
like; corrupt. To attempt to lead or draw someone away, as from
principles, faith, or allegiance.
Selfish – Concerned chiefly or only with oneself.
Self-Martyr – One who purposely makes a great show of suffering in
order to arouse sympathy from others, as a form of manipulation, and
always for a selfish cause or reason.
Self-righteous – Piously sure of one’s own righteousness;
moralistic. Exhibiting pious self-assurance. Holier-than-thou,
sanctimonious.
Senile – Showing a decline or deterioration of physical strength or
mental functioning, esp. short-term memory and alertness, as a result of
old age or disease.
Shallow – Lacking depth of intellect or knowledge; concerned only with what is obvious.
Smart Ass – Thinks they know it all, and in some ways they may, but
they can be greatly annoying and difficult to deal with at times,
especially in arguments.
Soft-hearted – Having softness or tenderness of heart that can lead
them into trouble; susceptible of pity or other kindly affection. They
cannot resist helping someone they see in trouble, suffering or in need,
and often don’t think of the repercussions or situation before doing
so.
Spiteful – Showing malicious ill will and a desire to hurt;
motivated by spite; vindictive person who will look for occasions for
resentment. Vengeful.
Spoiled – Treated with excessive indulgence and pampering from
earliest childhood, and has no notion of hard work, self-care or money
management; coddled, pampered. Having the character or disposition
harmed by pampering or over-solicitous attention.
Squeamish – Excessively fastidious and easily disgusted.
Stubborn – Unreasonably, often perversely unyielding; bull-headed. Firmly resolved or determined; resolute.
Superstitious – An irrational belief arising from ignorance or fear
from an irrational belief that an object, action, or circumstance not
logically related to a course of events influences its outcome.
Tactless – Lacking or showing a lack of what is fitting and considerate in dealing with others.
Temperamental – Moody, irritable, or sensitive. Excitable, volatile, emotional.
Theatrical – Having a flair for over dramatizing situations, doing things in a ‘big way’ and love to be ‘centre stage’.
Timid -Tends to be shy and/or quiet, shrinking away from offering
opinions or from strangers and newcomers, fearing confrontations and
violence.
Tongue-tied – Speechless or confused in expression, as from shyness, embarrassment, or astonishment.
Troublemaker – Someone who deliberately stirs up trouble, intentionally or unintentionally.
Unlucky – Marked by or causing misfortune; ill-fated. Destined for misfortune; doomed.
Unpredictable – Difficult to foretell or foresee, their actions are
so chaotic it’s impossible to know what they are going to do next.
Untrustworthy – Not worthy of trust or belief. Backstabber.
Vain – Holding or characterized by an unduly high opinion of their
physical appearance. Lovers of themselves. Conceited, egotistic,
narcissistic.
Weak-willed – Lacking willpower, strength of will to carry out one’s decisions, wishes, or plans. Easily swayed.
Withdrawn – Not friendly or Sociable. Aloof.
Zealous – A fanatic.
I had an anon asking about how to make their character not so perfect. Well, here’s a great list of some flaws you can try to use to balance out his good traits.
Sticking the landing
. All this does is jack up joints. Collapse and roll. Hit the ground with the largest surface area possible.
Headshots
. You sound like bragging gamers.
“One shot, one kill.”
Same as above. Aim for center mass and unload until they stop moving.
Disabling shots
. Depending on the time period, you’re either consigning them to a lifetime of nerve damage and pain or a slow death from infection. Also, injured people
can still fight back.
Anything with a flip
. Telegraphing your moves and taking several extra seconds to get it done just allows the other fighter time to block.
Throwing people
. Unless you’re literally trying to get some space for an escape or a ranged weapon, why did you throw them? It takes a ton of effort and now they’re all
the way over there.
Prolonged fights
. Most brawls are over in seconds. Seconds. Competition fights last longer because there are safety limits and controls in place.
Ignoring backup
. Congratulations on your ‘does not play well with others’ sticker.
Overly complicated weapons
. Different weapons were developed to take advantage of specific conditions, be they environmental, tactical, or weaknesses in your opponent’s situation.
Picking the wrong one because it looks cooler just puts you at a steep disadvantage.
Basically anything overcomplicated
. Climbing in top floor windows when you could walk in the service entrance. Fighting through twelve guards when you could poison someone’s dinner.
Training in eight martial arts styles when a pillow over the face will get them just as dead. It’s not really that impressive to make more work for
yourself.
I think a big part of why I read way more fanfiction than books is that there’s just a hell of a lot less exposition
the first 10 pages of most books are always “these are the main characters and here’s some background on each of them and this is the setting etc etc” and it’s such a fucking hassle getting to the plot sometimes
fanfic is just like “fuck it you know all of this already let’s go”
That’s a really good point.
Same here but there’s actually a point here of well written exposition. Take AUs for example. Even in the most complicated, as-far-removed-from-canon settings we get at most a single paragraph before the actual fic where the author gives us a quick rundown of the rules for that universe. The rest we are left to figure out on our own and it works.
We’re not spoon fed every trivial detail when all we want is to get to the plot. Everything that’s important is said at the moment it is important, not sooner not later. Especially in long fics characters often take on such a unique characterisation that you get to know them all over again but the readers do so organically, in the situations that define those characters as they happen. Same with looks. The fic author generally assumes the readers know what the characters look like and don’t spend paragraphs describing them, and only bring it up when it fits the plot.
I’ve read a few fanfics from fandoms I’ve never been in and surprisingly it still worked out. I had generally a good idea of who these people were, what they did where and why and how they worked together.
Point is, if you’re a writer writing original fiction, pretend it’s fanfic and everyone knows your setting and characters already. That way you’ll only have to add a few details if and when your beta readers mention needing more information and chances are they won’t need a lot.
Point is, if you’re a writer writing original fiction, pretend it’s fanfic and everyone knows your setting and characters already. That way you’ll only have to add a few details if and when your beta readers mention needing more information and chances are they won’t need a lot.
Bolding this fantastic advice.
Bolded text is ABSOLUTELY TRUE.
Most of the time the details and nuances come across via your characters reacting to things, or noticing things. You really don’t need a whole lot of exposition, as long as you’re consistent in your characters knowing about things.
– Since your characters are already in this world, they’re used to certain things. You can use their casual treatment of certain things, or incredulous confusion at other things to establish what is ‘normal’ and what is not.
Also, many location-words have a lot of subtext woven into them based on each reader’s experience. “He sat down in the Library” will conjure an image of whatever library the reader is most familiar with. You really don’t need to lay out every single detail of the library, unless it has some greater significance, or you’ll call it out again in a later chapter… like, if the library would later come under seige by water dragons, you can lovingly describe all the super old books and elaborate woodwork, SO you can later describe the horror your character feels at having those old books and woodwork sodden and twisted from water damage.
Give places, give things, give EVENTS details, but not for detail’s sake. Details are SIGNIFICANCE.
Source: Worked as a ghostwriter. Basically just made several MLP AU fanfics, and a few variations of the standard Marvel CoffeeShop AU. It’s amazing how few words you can use to describe a scene and the reader’s brain fills in all the details themselves.